- One in a million song on ms congeniality soundtrack how to#
- One in a million song on ms congeniality soundtrack movie#
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I kind of try to put myself in his shoes,” says Kerber. “It’s fun being directed and feeling that I’m in some way embodying the emotion of the character in the movie. There, they set about capturing the spontaneity of improvised music within a highly controlled setting. “But I decided in those first few years to not pursue other movies and just focus really, really hard on Damien’s movies - and I’m very glad I did, obviously.”įor “La La Land,” Hurwitz and his team recorded the orchestra on the Sony lot but moved to the modest Conway Studios on Melrose Avenue for the jazz and small-band work with Erskine, Kerber and fellow session experts including trumpeter Wayne Bergeron, bassist Kevin Axt, trombonist Andy Martin, guitarist Graham Dechter and others. “When I first moved out to L.A., I was expecting things to pick up quickly,” says Hurwitz. Wallach plays a new wave singer in “La La Land.”) By then, though, Hurwitz had quit the band and set his sights on Los Angeles.
One in a million song on ms congeniality soundtrack series#
Speaking on the phone while on a break from shooting the HBO series “Curb Your Enthusiasm,” where he is a writer, Hurwitz adds that he and Chazelle once did make a go of it as pop stars - while attending Harvard.īoth were members of Chester French, a band that ultimately provoked a bidding war in the early ’00s between Kanye West and Pharrell Williams. “La La Land” composer Hurwitz says that he had to pound the pavement like most who make it in Hollywood, with a caveat: “I can’t really say I was a struggling musician because I realized early on that I should just not be a musician.” This from a man who, while best known for his work with Weather Report and Steps Ahead, has earned paychecks from jobs on such cinematic gems as “Austin Powers: The Spy Who Shagged Me,” “Miss Congeniality 2: Armed and Fabulous” and “Cats & Dogs: The Revenge of Kitty Galore.”
One in a million song on ms congeniality soundtrack how to#
You might learn something profound about just how to work with other musicians, or what to do when a song starts to fall apart on the bandstand.” Since moving to film work in the early 1980s, Kerber’s playing has been heard on the scores to blockbusters such as “The Color Purple,” “Forrest Gump,” “Titanic” and “Star Wars: The Force Awakens.” At the other end of the spectrum, he’s earned income from dozens of lesser movies including “The Intern,” “Dinner for Schmucks” and “Reno 911: Miami!”Īsked what advice he’d give Seb, who in a defining scene is shown lazily playing rote versions of Christmas carols in a restaurant instead of the Thelonius Monk-inspired music that drives him, Erskine says, “Every playing opportunity informs the next one. Still, one particular moment for Seb, says Kerber, resonated: “You know the scene where all of a sudden the drum machine starts and he stops and he’s got that great look on his face?” Kerber’s been there. “Jazz purists can be quick to judge any other kind of music,” says Kerber, “and it sets them apart but also puts a little bit of a chip on their shoulder.” Guiding it all is a score that adds layers of unspoken nuance - to say nothing of the vocal bursts that arrive with the song-and-dance. “La La Land” - nominated for 14 Oscars, including three for composer Justin Hurwitz’s original score and songs - explores the tension of creative people trying to make a living through art.Īt the heart of the film is a love story between the pianist and a budding actress, Mia (Emma Stone), but flowing through are questions about fate, financial freedom and creative conviction.
“I look at every playing opportunity as a blessing not a curse - and I’ve done plenty of dumb gigs” says Erskine, who in addition to making his own albums and working on Hollywood movies, is a professor at USC’s Thornton School of Music.
One in a million song on ms congeniality soundtrack movie#
The esteemed jazz drummer Peter Erskine, whose playing is featured across the score of the hit movie musical “La La Land,” has a tip for snobby young jazz players who, like the fictional Seb (Ryan Gosling), are gunning to make it as musicians but are wary of for-hire gigs.
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